新华出版社1999
1953.5.13 出版总署发出《关于登记内部期刊的几个问题的解释》，就内部期刊的含义，哪些内部期刊需要在出版行政机关办理登记以及内部期刊的审批、出版发行等问题作了解释。
1956.4 《全国总书目（1949-1954）》出版
此后版本图书馆每年编印一册《全国总书目》
Monday, May 23, 2011
Sunday, May 22, 2011
Borges
Signs of Borges (sylna Molloy?)
Borges: Writers on the Edge (Beatriz sarlo)
an writer influenced by Borges
Ricardo Piglia La Ciudad Ausente (the absent city?)
Borges: Writers on the Edge (Beatriz sarlo)
an writer influenced by Borges
Ricardo Piglia La Ciudad Ausente (the absent city?)
sound studies books
K.J.Donnelly, The Specter of sound
Music in film and Television
K.J. Donnelly, Film music: Critical approaches
Beyond the soundtrack: Representing music in cinema
John cage: Silence: lectures and writings
about music in 1970s documentary: new york is on fire(?)
Music in film and Television
K.J. Donnelly, Film music: Critical approaches
Beyond the soundtrack: Representing music in cinema
John cage: Silence: lectures and writings
about music in 1970s documentary: new york is on fire(?)
Thursday, May 19, 2011
facing reality: chinese documentary, chinese postsocialsim by chris berry
Berry, Chris. 2002. “Facing Reality: Chinese Documentary, Chinese Postsocialism.” In Wu Hung, Wang Huangsheng, Feng Boyi, eds, Reinterpretation: A Decade of Experimental Chinese Art (1990-2000). Guangzhou: Guangdong Museum of Art, 121-131.
cinema verite of Fred Wiseman and Ogawa Shinsuke
p121 In the People's Republic of China,however,postsocialism has more parallels with Lyotard's postmodernism, where the forms and structures of the modern (in this case socialism) persist long after faith in grand narrative that authorizes it has been lost. Furthermore, this condition is even felt in the West, where the fall of the Berlin Wall in 1989 forced those on the left-- do such terms make sense anymore?-- to confront not only declining faith in liberal capitalist democracy but also the absence of any visible alternative. In other words, I write this essay not with a neo-Cold War hope that China may one day join the "free world," but out of a shared interest in the question of tactical response to having to work in the globalizing territory of what de Certeau calls "the space of the Other," at a time when the absence of visible and viable outside space threatens the meaningfulness of the very phrase.
post-Berlin Wall film Hedwig and the Angry Inch
Michel de Certeau The Practice of Everyday Life
cinema verite of Fred Wiseman and Ogawa Shinsuke
p121 In the People's Republic of China,however,postsocialism has more parallels with Lyotard's postmodernism, where the forms and structures of the modern (in this case socialism) persist long after faith in grand narrative that authorizes it has been lost. Furthermore, this condition is even felt in the West, where the fall of the Berlin Wall in 1989 forced those on the left-- do such terms make sense anymore?-- to confront not only declining faith in liberal capitalist democracy but also the absence of any visible alternative. In other words, I write this essay not with a neo-Cold War hope that China may one day join the "free world," but out of a shared interest in the question of tactical response to having to work in the globalizing territory of what de Certeau calls "the space of the Other," at a time when the absence of visible and viable outside space threatens the meaningfulness of the very phrase.
post-Berlin Wall film Hedwig and the Angry Inch
Michel de Certeau The Practice of Everyday Life
Tuesday, May 17, 2011
Thursday, May 12, 2011
生产模式：透视中国当代艺术
In production mode: contemporary Art in China by Pauline Yao published by timezon8, 2008
大芬村经济生态 刘鼎--《产品》“将艺术品的流水线制作、生产、展示同时集中在美术馆内的一次艺术计划”
2007 艾未未将1001名木雕师输出到第十二届卡塞维尔文献展上
艺术家雇佣工人、助手和工匠辅助艺术制造
p19 enact factory-like modes of production that advocate a post-authorship position
“hidden masses”
P24 the economy of scale mass production of art
participation-- collaborative or collectively produced art
minimalism Donald Judd, Carl Andre, and Dan Flavin
大芬村经济生态 刘鼎--《产品》“将艺术品的流水线制作、生产、展示同时集中在美术馆内的一次艺术计划”
2007 艾未未将1001名木雕师输出到第十二届卡塞维尔文献展上
艺术家雇佣工人、助手和工匠辅助艺术制造
p19 enact factory-like modes of production that advocate a post-authorship position
“hidden masses”
P24 the economy of scale mass production of art
participation-- collaborative or collectively produced art
minimalism Donald Judd, Carl Andre, and Dan Flavin
Tuesday, May 3, 2011
解冻文学和回归文学 谭得伶 吴泽霖 北京师范大学出版社2001 北京
其他书目 李明滨 《俄罗斯二十世纪非主潮文学》北岳文艺出版社 1998
解冻文学 1953斯大林去世到60年代中期 1956苏共二十大 赫鲁晓夫反斯大林个人崇拜
1954-1956 爱伦堡发表了中篇小说《解冻》
奥维奇金 《区里的日常生活》
列昂诺夫 《俄罗斯森林》
肖洛霍夫 《一个人的遭遇》和“战壕真实派” 卫国战争中冲奔前线的一代作家
帕斯捷尔纳克《日瓦戈医生》
劳改营题材小说 索尔仁尼琴《伊凡×杰尼索维奇的一天》
“第四代”小说家 1956《青春》杂志发表21岁作家《维克多×波德古尔斯基演义》
1960 《青春》阿克肖诺夫 《同窗》
这批“出生在30年代，道德的形成却是在斯大林死后和党的二十大以后” “有一种清算父辈的愿望” “不仅开始怀疑斯大林的价值，而且也怀疑全部过去的历史”
子辈/父辈 自白性的第一人称叙事 《带星星的火车票》
布尔加科夫1891-1940
皮里尼亚克1894-1938
解冻文学 1953斯大林去世到60年代中期 1956苏共二十大 赫鲁晓夫反斯大林个人崇拜
1954-1956 爱伦堡发表了中篇小说《解冻》
奥维奇金 《区里的日常生活》
列昂诺夫 《俄罗斯森林》
肖洛霍夫 《一个人的遭遇》和“战壕真实派” 卫国战争中冲奔前线的一代作家
帕斯捷尔纳克《日瓦戈医生》
劳改营题材小说 索尔仁尼琴《伊凡×杰尼索维奇的一天》
“第四代”小说家 1956《青春》杂志发表21岁作家《维克多×波德古尔斯基演义》
1960 《青春》阿克肖诺夫 《同窗》
这批“出生在30年代，道德的形成却是在斯大林死后和党的二十大以后” “有一种清算父辈的愿望” “不仅开始怀疑斯大林的价值，而且也怀疑全部过去的历史”
子辈/父辈 自白性的第一人称叙事 《带星星的火车票》
布尔加科夫1891-1940
皮里尼亚克1894-1938
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