Sunday, February 10, 2013

2066 韩松 特异功能

the beginning of the chapter four    this history of research into extraordinary powers

对宇宙间第五种神秘力量的探索可以回溯到二十世纪五十年代。作为冷战的一个内容,美国中央情报局开始对超感官知觉与药物的关系进行研究。
  到了七十和八十年代,除中央情报局外,五角大楼、国家航空航天局等都介入了这个领域。当时,美国每年花在特异功能项目上的钱为六百万美元。
  军方的实验包括:用超感知觉破译苏联密码,遥感苏联洲际导弹发射阵地,测知苏联潜艇,遥控动物大脑。
  在此期间,一个叫查尔斯·怀特的人甚至发明了一台多谱形象分析仪,只要塞进有关照片,就能感知敌国潜艇航向。这是最早的把人的超能力与机器结合在一起的尝试。

  对实验结果存在很大争议。但至少有一部分高级人士趋向于相信,的确存在第五种力。它与已知的重力、磁力、强相互作用力和弱相互作用力不同,能够瞬间超越时空,穿透并渗入一切物质,释放出神奇的能量。
  这种能量具有负熵性质,能在热、光、电、磁化学过程中观察到,但不属于它们中的任何一种。
  “如果能掌握它,不亚于原子弹吧?”一些人兴致勃勃地这么想。“共产主义的崩溃便会提早到来了。”
  在实验室中捕捉这种能量的努力在整个二十世纪趋于失败。有关它的传说仍主要存在于自称具有超感知觉的特异功能人身上。随着冷战的结束,相关研究也趋于停滞。
  但到了二零二五年,事情却有了意想不到的进展。该年,斯坦福研究所发明了一种大脑脉冲放大器,以研究人在催眠状况下的深度反应。部分使用者自称收到了来自未来的信息。这与特异功能者对未来事件的预言有某种类似

Thursday, February 7, 2013

Real Emotional Logic: Film and Television Docudrama As Persuasive Practice

The Great Migrator: Robert Rauschenberg and the Global Rise of American Art [Hardcover] Hiroko Ikegami (Author)

In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world--prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.

Ideographic Modernism: China, Writing, Media

architecture

New Book in the Spatial Habitus: Making and Meaning in Asia's Architecture
series

Original Copies: Architectural Mimicry in Contemporary China by Bianca
Bosker

Saturday, February 2, 2013

books


London From Punk to Blair

REVISED SECOND EDITION

London from Punk to Blair is a rich portrait of Europe’s foremost capital. An array of contributors, including poets, journalists, teachers, historians, wanderers, drinkers, photographers, and foodies, offer a selection of personal and subjective readings of the city since the late ’70s. These essays chart a variety of literal and metaphorical explorations through modern and postmodern London, showing how it works, and how it fails to work; what makes it vibrant, and what makes it seedy. 

Harlem

In Harlem, Spivak engages with thirty-four photographs by photographer Alice Attie as she attempts teleopoiesis, a reaching toward the distant other through the empathetic power of the imagination. In the hands of Spivak,teleopoiesis is a kind of identity politics in which one disrupts identity as a result of migration or exile. For the last two decades, Spivak notes, Harlem has been the focus of major economic development. As the old Harlem disappears into a present that simultaneously demands and rejects a cultural essence, Spivak dwells in Attie’s images, trying to navigate some middle ground between the rock of social history and the hard place of a seamless culture.

Radio in Small Nations

Whether at a local, national, or international level, radio has played and continues to play a key role in nurturing or denying—even destroying—people’s sense of collective identity. The essays in this volume provide a historical and contemporary overview of radio in small nations. A number of representative small nations are featured: some grappling with new postcolonial identities and others still operating under repressive regimes; some struggling to find a new common purpose in the postindustrial age and others unifying previously ignored ethnic or language groups. As a whole, the collection strives to present diverse voices commenting on the influential and essential place of radio within these countries.

Wednesday, January 2, 2013

Affect theory


September 10: Introducing Affect Theory

 




Tuesday, September 18, 12:00 pm – 1:30 pm, Place TBA: Special Session with Lauren Berlant ( University of Chicago)



September 24: Affect and Cognition


Antonio Damassio,“Introduction” and “Emotions and Feelings,” Descartes’ Error: Emotion, Reason, and the Human Brain (xi-xix, 127-64, 269-70, 282-5)


Recommended:
Teresa Brennan, “The New Paradigm,” The Transmission of Affect (74-96, 182-88)




October 15: Shame, Fear, and the Politics of Affect


Recommended:



November 12: Historicizing Affect





Recommended: