Thursday, February 28, 2013

Expression architecture


Expression

Edited by the Chair of Josep Lluís Mateo ETH Zürich and Florian Sauter

Park Books
Architectural Papers is a series of books published by Josep Lluís Mateo of the Swiss Federal Institute of Technology Zürich. Established in 2005, the series covers a wide range of topics related to teaching architecture and architectural culture in general. One of two new volumes in the series, Expression is an investigation into the influence of other media such as film, literature, and the visual arts on architectural thought and design.

Mindscapes of Montréal


Mindscapes of Montréal

Ceri Morgan

University of Wales Press
In Mindscapes of Montréal, Ceri Morgan examines a number of francophone novels written between 1960 and 2005 and set in Montréal. Morgan captures each book’s formal innovations and engagements with the complex cultural and linguistic geographies of Montréal. She then broadens her analysis and fills in the aesthetic, social, and political backdrops against which these novels were written. In doing so, Morgan demonstrates the importance of the imagination in our experience and understanding of the urban.

Alan Liu The Laws of cool

Automating

Karl Marx    Economic and Philosophic Manuscripts of 1844      staging alienation as a struggle between, or within, identities.
a) estrangement from the "labor process" or "producing activity itself," (loss of self)
b) estrangement from the "species being"  (romantic terms of organic naturalism)
c) estrangement of "man from man" 

revisions or challenges to Marx's view
 Mills       White Collar
incompletely tragic class    "the hero as victim, the small creature who is acted upon but who does not act, who works along unnoticed in somebody's office or store, never talking loud, never talking back, never taking a stand... (he is ) the generalized Little Man."

Liu's critique
1) not from product       for white collar labor had no clear object-product     it produced "service:" the legion of organizing, communicating, publicizing, accounting, and other facilitating or mediating tasks
2) white-collars both supervised or coordinated labor and were debarred from actual ownership.   
it becomes necessary to speak of the professionalism of white-collars in a way that bypasses the notion of property.
Thus rose revisionist theories of alienation to account from the new middle class
p85 "The consist of the genealogy of Weberian sociologies, humanist and structural Marxisms, structural anthropologies, Foucaultian historicisms, media studies, and so on that arose to describe— in lieu of relations between persons— the nonrelation of persons to institutional structures, machinelike organization, and rationalized techniques..... It is all 'cultural criticism' and 'subject critique'—a mode of grasping alienation that refuses to dramatize it in terms of essential identity, and instead views it only in terms of constructed identity. Alienation becomes a structural function of 'modes of production,' 'bureaucracies,' 'institutions,' systems, apparatuses, technologies, media, discourse, and other such macro-agencies that construct identity but are fundamentally incommensurable with the identity concept."

capitalism is a drama not of workers versus capitalists but of bureaucracy systems of technology/technique            Max Weber's analysis of bureaucracy

p92  systemic or technical friendship — the ideology that enforces the adjustment of technique to technology— has been the primary instrument of emotional labor management in the 20th century. 


Bruce Robbins   secular vocations: intellectuals, professionalism, culture

p100 the basic engine of cultural cool :  the consumption by middle-class workers of forms of entertainment, journalism, and dress influenced by that part of culture excluded by definition from normal work— subculture.
p103 thus did cool first come into its own as the ethos of modern alienation: a whole attitude or character of low affect that at once harmonized with the system of technological rationality and disengaged itself from that system by identifying just enough with outsiders to live a depersonalized fantasy of the Outside as pure style or decor.


informating

p107 (Shoshana) Zuboff coined the term (informating) to mean that computers generated an inescapably thick wrapping of second-order information (information acting on information) around the primary interface of information acting on matter where automation occurred— a wrapping so thick and interesting that it called into question the distinction between primary work and secondary mentality.

108   the tight coupling of the instrumental and the mental— the system and the sense of system—in computerization
How did computerization allow routine work to become "aware of" or "sense" the systematicity of work?  the key sense, it turns out, was "vision"
110 Such reflective distance was hard-wired or programmed into the system itself
computerization installed a whole culture of symbolic analysis and critical reflection in everyday work antithetical to earlier industrial culture of deskilling and routinization.

119   the parallel booms in information work and service work
        In an age when communications media increasingly supplanted physical transportation in carrying the bulk of exchanges between firms and their public, suppliers, contractors, and regulatory agencies, business necessarily had to be conducted in a compound idiom of information and service we might call   information service.

120 in this light, both information workers keying data and front-line workers dealing with the public must be seen to from a continuum of service through which information flowed
in other words,  front-line workers were the public inter-"face" of back-office computerization. They were living dumb terminals.

p127 Corporate culture in the mainframe age managed the unsupervised mentality or vision of information work ("fantasy") by making it part of a greater enterprise of service work that was now all the more productive because it appeared to be self-managed as part of a collective cultural fantasy.


Networking

By "networking" I mean the combination of new information architectures (personal computers, client/server networks, the Internet) and organizational structures that has created what Manuel Castells calls "network enterprise."

Information architectures       the networking paradigm arose through a twofold rhythm of convergence in underlying technologies and divergence in understanding what might be called the "philosophy" of those technologies. 
The technological convergence occurred when computing and communications fused together in three overlapping stages. 
1) the preliminary decade of the 1970s    such new devices as the microprocessor, digital telecom switch, and optical fiber
2) second stage from 1981 to 1991 when business adopted the personal computer as its own. The watershed year was 1981 when IBM brought to market its business-focused PC personal computer.
3) third stage  began in the early 1990s, when office computing fully merged with the new communication networking technologies.

divergence in the way the new networking was received, understood, and deployed
1) decentralization
2) distributed centralization      







Wednesday, February 27, 2013

cursory ideas about chapter 4 and introduction

Introduction:
postsocialist      post-binarism structure btw workers and capitalist
                         white-collar mental worker      affective labor
                         information challenges representation mode   crisis of representation in a large context?(discussion of postmodern/ism jameson, baudriallard    crisis of enlightment?)    socialist realism  
                         information and modernization /modernism ----- postsociaism doesn't mean simply return to capitalism   does modernism in post-socialist context implies a critique of modernization (dreamworld and catastrophe)  


Chapter 1
body and technology   utopia/dystopia built upon body
to which extent socialist    to which extent post-socialist


Chapter 4
alan liu's analysis on Marx's notion of alienation
alienation of species  -----   marxist humanism    
professionalism includes the professional regulations of emotions
Fangfang---    intellectual work with no affective labor to mediate machine and human

Monday, February 25, 2013

Fu, Poshek. “Modernity, Diasporic Capital, and 1950s' Hong Kong Mandarin cinema” in Jump Cut, No. 49, spring 2007.

1) Postwar Mandarin cinema in crisis
changcheng pro-beijng
yonghua- pro-taiwan
close of mainland market   inconsistent censorship of Taiwan

the plan of the Cathay Organization to expand its distribution network into Southeast Asia and expand its production facilities in Hong Kong brought hope for a renaissance of Mandarin film culture outside China

2) Air hostess (1959)
At the same time, available research indicates that Cathay-MP&GI was inadvertently entangled in the Cold War politics of anti-communism. These concerns for modernity and anti-communism come through powerfully in MP&GI’s prestigious picture, Air Hostess.

glamour and a modern lifestyle, was invariably associated in the local mind with “northern” migrants, who remained aloof from (if not contemptuous of) the local society.

gender aspects   love for a male chauvinist
The airline company as a modern transnational corporation functions in the film as an expression of Western Fordist-Taylorist capitalism, which demanded total dedication and emotional identification of individual workers to the mass production regime of hierarchy, rationality, and discipline for the sake of maximum profits and efficiency. 
Clearly pilot Xu Ke represents the “masculine values” of rationality, discipline, and fairness celebrate by Fordist-Taylorist capitalism.

Sunday, February 24, 2013

google scholar / BBC

Googlescholar,想必大家常用。Google家还有一个伟大产品叫Google book。涵盖很强大,可以预览,比如输入croxtonplay,就跳出一大批讨论了这个作品的书。在网上预览,省去了在图书馆翻来倒去的时间。技术窍门很快可以摸索到,比如很多页不能直接浏览,但search inside the book就可以浏览该页了。国内图书馆没有的书,可以通过Googlebook看。一些过了版权期的旧书,可以在Google book大大方方地看,下载。力荐JohnCarroll写的三部《神曲》的书,这套书应该翻译过来!前两部都可以下载,第三本也快了(名叫In Patria,扉页题词In Via etin Patria)。过去的著名老学者GeorgeSaintsbury,Grandagent,都可以下载了看。还有Wikipedia,每日的必需。国内没有完全解封,我当年是通过answers.com看的,它包括了wikipedia的资料。现在不晓得怎样,但一定是有办法突破的。 



网站广播。对学英语很有益。BBC的在线广播基本可以通过flashget等软件下载(也可在firefox装flashgot插件)。推荐BBCarts anddrama,戏剧和文学朗读节目,

Wednesday, February 20, 2013

Mao’s New World: Political Culture in the People’s Republic

In this sweeping portrait of the political culture of the early People's Republic of China (PRC), Chang-tai Hung mines newly available sources to vividly reconstruct how the Chinese Communist Party (CCP) tightened its rule after taking power in 1949. With political-cultural projects such as reconstructing Tiananmen Square to celebrate the Communist Revolution; staging national parades; rewriting official histories; mounting a visual propaganda campaign, including oil paintings, cartoons, and New Year prints; and establishing a national cemetery for heroes of the Revolution, the CCP built up nationalistic fervor in the people and affirmed its legitimacy. These projects came under strong Soviet influence, but the nationalistic Chinese Communists sought an independent road of nation building; for example, they decided that the reconstructed Tiananmen Square should surpass Red Square in size and significance, against the advice of Soviet experts sent from Moscow.