Dudley Andrew (Wiley-blackwell, 2010)
p2 sean cubitt has declared all cinema to be fundamentally a version of animation
Sean Cubitt The Cinema Effect (MIT press, 2004)
Thomas Elsaesser and Hoffmann (eds.) Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age (1998)
about the interplay of photos and films Garrett Stewart, Between Film and Screen: Modernism's photosynthesis (chicago 1999)
p51
Jean-Pierre Geuens lamented this shift of emphasis from shooting to post-production, as the art of composing mise en scene has given way to the skill of "compositing" layers of visual elements.
Jean-Pierre Geuens "The Digital World Picture," Film Quarterly, 55 (4) (2002)
Martin Lefebvre and Marc Furstenau, "Digital Editing and Montage: The Vanishing Celluloid and Beyond," in Cinemas, 13(1-2), 2002.
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